Reminiscent of a jigsaw puzzle, Misha Harrison’s art comprises of intricately hand cut, painted and embroidered plywood, translating still life arrangements of flowers, drapery and objects into striking three-dimensional artworks.
How did you discover you had a gift for art?
Art has always been a part of my life. As a kid I was always creating something, whether it be drawing and colouring in, or up a tree building cubbies with my tool belt on. I have always been interested in building, creating, and figuring out how things work. I have had many different eras and styles to my art but found my current style about four years ago. Creativity has always been a huge part of my identity.
Did you study art?
I studied art through high school then went to TAFE, studying a Diploma of Fine Art. I then went to University, graduating with a Bachelor of Creative Arts Honours, majoring in sculpture and textiles. TAFE was very practical and hands on where University was a mix of theory and practical. I’m grateful for everything I learnt at both institutes.
How would you describe your art?
I usually describe my art as ‘three-dimensional still life artworks’’ that combine painting, sculpture, and textile practices. My artworks are like big jigsaw puzzles, each piece slots into its own place.
What inspires you in general?
My main inspiration comes from nature. Nature produces the most amazing colours, textures, and patterns that I am constantly trying recreate. Utilising different tools like my jigsaw, router, sander and drill I look to cut, carve, and embroider the wood to mimic the beautiful patterns found in flowers, drapery, fruit, and other objects. Each piece produces different challenges. Each new species of botany, patterned cloth, or object I incorporate into my artwork needs to be tackled in a different way. My art is forever keeping me on my toes!
What is your favourite part of the artistic process?
I love the whole process of my art, being on the tools and getting my hands dirty, but nothing compares to slotting all the pieces into their final resting place for the final glue down. The final glue down stage can sometimes take longer than five hours. It really is the best feeling to finally glue down 140 hours of work!
What are you working on now?
I am currently working towards my next solo exhibition at Sydney Road Gallery in Balgowlah, which runs from 12-29 October. I have another exciting project in the pipeline, but I can’t say much right now. Stay tuned for another surprise around September!
What words of wisdom do you have for young or aspiring artists?
Don’t create what you think people will love, rather create what you love. If you’re doing something new it will take time to gain traction. If you believe in what you are creating others will too. When I first started my woodcut pieces not many people loved them like I did. I applied for Sydney Road Gallery and to my astonishment I got the invitation to be part of the Gallery. This was a huge turning point in my art career. Fast forward three years and I am now creating art full time and my woodcut works have evolved into something I never thought they would. Hard work pays off!
Follow @mishaharrisonart on instagram Check out Misha’s next solo show at Balgowlah’s Sydney Road Gallery, 12-29 October. And visit her website www.mishaharrison.com.au where her prints are for sale.
View all Tawny Frogmouth back issue cover arts here